{"id":19924,"date":"2024-09-19T14:42:02","date_gmt":"2024-09-19T12:42:02","guid":{"rendered":"https:\/\/www.ispc.cnr.it\/?p=19924"},"modified":"2024-09-19T14:42:02","modified_gmt":"2024-09-19T12:42:02","slug":"codexcospi-magic-lens-opening-in-los-angeles","status":"publish","type":"post","link":"https:\/\/www.ispc.cnr.it\/it_it\/2024\/09\/19\/codexcospi-magic-lens-opening-in-los-angeles\/","title":{"rendered":"CodexCospi Magic Lens opening in Los Angeles"},"content":{"rendered":"
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CodexCospi Magic Lens opening in Los Angeles!<\/h1>\n

Inauguration of “We Live in Painting” at LACMA Featuring the Multimedia Installation “MagicLens CodexCospi”<\/h2>\n

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The cover panel of the exhibition, Los Angeles County Museum of Art (LACMA) | \u00a9 Alfonsina Pagano, CNR ISPC<\/figcaption><\/div>

Los Angeles, CA <\/strong>– The Los Angeles County Museum of Art (LACMA) is proud to announce the grand opening of its highly anticipated exhibition, \u201cWe Live in Painting. The Nature of Color in Mesoamerican Art\u201d, an immersive exploration of science, art, and cosmology of color in Mesoamerica. The exhibition officially opened on Wednesday 18th, Sept., offering a journey through artistic expression and human creativity.<\/p>\n<\/div>

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Technology and digital storytelling<\/h3>\n

CNR ISPC contributed to the debut of an interactive multimedia installation \u201cMagicLens CodexCospi\u201d<\/strong>, hosted in the Resnick Pavilion of LACMA, in the section \u201cThe Science of Color\u201d. It is developed in the framework of PRIN project KNOT – Knowledge of Things Reassessing the Indigenous American Heritage in Italy<\/a> which sees the partnership of CNR ISPC, University of Bologna and Sapienza University of Rome. Enzo d\u2019Annibale, a researcher in multimedia design and visual programming at CNR ISPC, designed and customized the software for this exhibition.<\/p>\n

Developed as a dynamic exploration tool for one of the world’s most enigmatic pre-Columbian manuscripts, \u201dMagicLens CodexCospi\u201d invites visitors to delve into the manuscript\u2019s complex iconography and historical significance through an interactive, augmented reality experience through three main pages: page 11 obverse, page 12 observe and page 21 reverse.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>