{"id":8108,"date":"2021-09-20T14:14:34","date_gmt":"2021-09-20T12:14:34","guid":{"rendered":"https:\/\/www.ispc.cnr.it\/?p=8108"},"modified":"2026-02-13T13:24:52","modified_gmt":"2026-02-13T12:24:52","slug":"medimit","status":"publish","type":"post","link":"https:\/\/www.ispc.cnr.it\/en\/2021\/09\/20\/medimit\/","title":{"rendered":"Mediterranean of Myths | Research Group"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-0\"><div class=\"row limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" >\n\t<div class=\"wpb_raw_code wpb_raw_js\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<script type=\"text\/javascript\">\n\/\/ Immediately Invoked Function Expression...\n(function () {\n    const widget = document.createElement('div');\n    widget.className = 'vc_wp_tagcloud wpb_content_element widget-no-separator widget-no-tablet-collapse widget-collaps-icon widget-typography-inherit';\n    const aside = document.createElement('aside');\n    aside.className = 'widget widget-style widget_tag_cloud widget-container sidebar-widgets';\n    widget.appendChild(aside);\n    const tagcloud = document.createElement('div');\n    tagcloud.className = 'tagcloud';\n    let regexGroups = \/\\\/\\d{4}\\\/\\d{2}\\\/\\d{2}\\\/(?<slug>[\\d\\w\\-]+)\/.exec(location.pathname).groups;\n\t\t\n    const slug = regexGroups.slug ?? null;\n\t\t\n     \/\/ TODO: solo per gruppi e labs...\n    if (slug) {\n        fetch(`https:\/\/www.ispc.cnr.it\/wp-json\/wp\/v2\/posts?slug=${slug}`).  \n        then(res => res.json()).\n        then(data => {\n            const fields = data[0]['research-field'];\n   \t    const labels = data[0]['class_list'].filter(c => c.includes('research_field')).map(c => c.replace('research_field-', ''));\n\t    fields.forEach((field, index) => {\n\t         let tag = document.createElement('a');\n\t\t tag.href = `\/research-fields\/${labels[index]}\/`;\n\t\t tag.className = `tag-cloud-link tag-link-${field} tag-link-position-${index+1}`;\n\t\t tag.textContent = labels[index].replaceAll('-', ' ').toUpperCase();\n\t\t tagcloud.appendChild(tag);\n\t    });\n\t});\n\t\t\n\tlet parentEl = document.querySelector('.wpb_raw_js').parentElement;\n\taside.appendChild(tagcloud);\n\tparentEl.appendChild(widget);\n    }\n})();\n<\/script>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-0\" data-row=\"script-row-unique-0\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-0\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row inverted-device-order row-container\" id=\"row-unique-1\"><div class=\"row col-double-gutter no-top-padding single-bottom-padding single-h-padding limit-width row-parent\" data-height-ratio=\"40\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-middle pos-center align_left column_parent col-lg-6 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" style=\" max-width:900px;\" ><div class=\"uncode_text_column text-lead\" ><\/p>\n<h1>Mediterraneo dei miti | Gruppo di Ricerca<\/h1>\n<p>Il gruppo di ricerca nasce dalla convergenza dei percorsi di studio di alcuni ricercatori e ricercatrici del CNR ISPC. Al centro dell\u2019interesse comune c\u2019\u00e8 <strong>il mondo dei miti mediterranei<\/strong>, cio\u00e8 dei racconti tradizionali sviluppati dai diversi popoli del Mediterraneo antico e delle aree a esso limitrofe, ambientati in un lontano passato e aventi per protagonisti non uomini comuni, ma d\u00e8i ed eroi. Con tali racconti avventurosi, che possono contenere elementi di realt\u00e0 storica trasfigurati, i popoli antichi esprimevano i propri valori etici e politici, creando i fondamenti ideologici della stessa realt\u00e0, naturale e sociale, in cui vivevano: analizzandoli con gli strumenti adeguati, si ha oggi la possibilit\u00e0 di ricostruire la visione del mondo e la mentalit\u00e0 religiosa che, a livello collettivo, guid\u00f2 le loro esistenze.<\/p>\n<p>Il patrimonio di miti meglio noto e pi\u00f9 studiato dell\u2019antichit\u00e0 \u00e8 quello creato dai Greci, che inform\u00f2 di s\u00e9 &#8211; attraverso lo strumento della colonizzazione e del contatto culturale &#8211; anche i popoli circonvicini. Anche i Fenici, gli Etruschi, i popoli italici e quelli affacciati sulla sponda meridionale del Mediterraneo elaborarono repertori locali di miti pi\u00f9 o meno originali su cui andarono a sovrapporsi i miti ellenici pi\u00f9 \u201cuniversali\u201d, come quelli legati alla figura dell\u2019eroe colonizzatore per eccellenza (Eracle). Anche per le fasi preistoriche, bench\u00e9 non si possa parlare <em>stricto sensu<\/em> di racconti mitologici, \u00e8 documentata nella produzione artistica dei popoli mediterranei e delle aree circostanti una figurativit\u00e0 complessa che spesso si traduce in \u201cracconto per immagini\u201d a carattere narrativo: potremmo dire che si tratta del <strong>\u201cmito &#8211; inteso come racconto &#8211; prima del mito\u201d<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"wpb_column pos-middle pos-center align_left column_parent col-lg-6 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div id=\"gallery-713659\" class=\"un-media-gallery isotope-system isotope-general-light grid-general-light\">\n\t\t\t\t\t\n\t\n\t<div class=\"isotope-wrapper grid-wrapper single-gutter\" >\n\t\t\t\t\t\t\t\t\t<div class=\"isotope-container isotope-layout style-masonry\" data-type=\"masonry\" data-layout=\"masonry\" data-lg=\"1000\" data-md=\"600\" data-sm=\"480\">\n<div class=\"tmb tmb-iso-w12 tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-bordered tmb-id-8111  tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 134.3%;\"><\/div><a  class=\"inactive-link pushed\" data-lb-index=\"0\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.5;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt \">Rappresentazione dello Stretto di Messina con la statua di Zeus Peloros. \u201cSacello pagano\u201d, catacomba di Santa Lucia a Siracusa  | \u00a9 Giovanni Fragal\u00e0 <\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-8111\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Zeus-Peloros-immagine.jpg\" width=\"554\" height=\"744\" alt=\"Rappresentazione dello Stretto di Messina con la statua di Zeus Peloros. \u201cSacello pagano\u201d, catacomba di Santa Lucia a Siracusa\" srcset=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Zeus-Peloros-immagine.jpg 554w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Zeus-Peloros-immagine-223x300.jpg 223w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Zeus-Peloros-immagine-9x12.jpg 9w\" sizes=\"(max-width: 554px) 100vw, 554px\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\t\n\t\n<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-1\" data-row=\"script-row-unique-1\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-1\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-2\"><div class=\"row col-double-gutter single-top-padding single-bottom-padding single-h-padding limit-width row-parent\" data-height-ratio=\"35\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-middle pos-center align_left column_parent col-lg-6 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div id=\"gallery-104725\" class=\"un-media-gallery isotope-system isotope-general-light grid-general-light\">\n\t\t\t\t\t\n\t\n\t<div class=\"isotope-wrapper grid-wrapper single-gutter\" >\n\t\t\t\t\t\t\t\t\t<div class=\"isotope-container isotope-layout style-masonry\" data-type=\"masonry\" data-layout=\"vertical\" data-lg=\"1000\" data-md=\"600\" data-sm=\"480\">\n<div class=\"tmb tmb-iso-w6 tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-bordered tmb-id-8113  tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 86%;\"><\/div><a  class=\"inactive-link pushed\" data-lb-index=\"0\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.7;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt \">Gruppo di vasi protoitalioti a figure rosse del Pittore della Danzatrice di Berlino dalla tomba 24\/1976 di Rutigliano, appartenuta ad un guerriero di rango, raffiguranti imprese eroiche dei personaggi del mito | \u00a9 Andrea C. Montanaro, CNR ISPC<\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-8113\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Tomba-24_Vasi-Pittore-Danzatrice-di-Berlino-1.jpg\" width=\"1000\" height=\"860\" alt=\"Gruppo di vasi protoitalioti a figure rosse del Pittore della Danzatrice di Berlino dalla tomba 24\/1976 di Rutigliano, appartenuta ad un guerriero di rango, raffiguranti imprese eroiche dei personaggi del mito\" srcset=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Tomba-24_Vasi-Pittore-Danzatrice-di-Berlino-1.jpg 1000w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Tomba-24_Vasi-Pittore-Danzatrice-di-Berlino-1-300x258.jpg 300w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Tomba-24_Vasi-Pittore-Danzatrice-di-Berlino-1-768x660.jpg 768w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Tomba-24_Vasi-Pittore-Danzatrice-di-Berlino-1-14x12.jpg 14w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><div class=\"tmb tmb-iso-w6 tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-bordered tmb-id-8112  tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 88.5%;\"><\/div><a  class=\"inactive-link pushed\" data-lb-index=\"1\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.7;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt \">Lastra in marmo (?) da Tharros con iscrizione indirizzata a Melqart \u2018l h\u1e63r. Da M. Minoja, C. Cossu, M. Migaleddu, eds., \"Parole di segni. L\u2019alba della scrittura in Sardegna\", Sassari 2012<\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-8112\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Melqart_Tharros.jpg\" width=\"1031\" height=\"912\" alt=\"\" srcset=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Melqart_Tharros.jpg 1031w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Melqart_Tharros-300x265.jpg 300w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Melqart_Tharros-1024x906.jpg 1024w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Melqart_Tharros-768x679.jpg 768w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Melqart_Tharros-14x12.jpg 14w\" sizes=\"(max-width: 1031px) 100vw, 1031px\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\t\n\t\n<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-6 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode_text_column text-lead\" ><\/p>\n<h3>Riportare alla luce i legami nascosti fra antico e modernit\u00e0<\/h3>\n<p>Scopo del gruppo di ricerca \u00e8 studiare questo \u201cMediterraneo dei miti\u201d, mettendo in luce i percorsi e le traiettorie che hanno portato i singoli racconti a nascere, diffondersi e contaminarsi. In particolare, il gruppo studia i miti che nacquero e circolarono nel Mediterraneo centro-orientale e meridionale, in Grecia, nell\u2019Egeo, nell\u2019Italia preromana, nel mondo fenicio-punico e, pi\u00f9 in generale, in quello nordafricano. Dove possibile, i <strong>racconti mitici<\/strong> vengono messi in relazione con le <strong>tradizioni popolari<\/strong> contemporanee ancora vive in diversi luoghi dell\u2019area mediterranea, riportando alla luce i <strong>legami nascosti fra antico e modernit\u00e0.<\/strong><\/p>\n<\/div><div class=\"uncode_text_column text-lead\" ><\/p>\n<h3>Metodologie<\/h3>\n<p>I miti circolarono nel Mediterraneo antico soprattutto sotto forma di racconti orali o veri e propri componimenti letterari tramandati per iscritto (poesia epica e lirica, ma anche repertori di miti e opere di varia erudizione), oppure nella forma di racconti per immagini. La prima categoria di testimonianze \u00e8 studiata soprattutto dai filologi, dagli antropologi del mondo antico e dai cultori di mitologia comparata; la seconda categoria \u00e8 studiata invece soprattutto dagli storici dell\u2019arte antica e dagli archeologi che hanno familiarit\u00e0 con il mondo delle immagini e con le questioni iconografiche. I membri del gruppo, per le metodologie applicate, rientrano prevalentemente nel secondo gruppo di ricercatori, ma \u2013 come tutti gli archeologi \u2013 prestano molta attenzione al \u201ccontesto\u201d del proprio studio. Oggetto di particolare attenzione sono le opere di plastica, la pittura vascolare, la documentazione numismatica e l\u2019arte rupestre.<\/p>\n<p>Attraverso la collaborazione di mediatori culturali dell\u2019ISPC esperti in storytelling e nelle varie tecniche dell\u2019archeologia virtuale, nonch\u00e9 di colleghi specializzati nelle arti grafiche, <strong>il gruppo di ricerca ambisce ad allargare la piattaforma di coloro che desiderano fruire di tale patrimonio di conoscenze<\/strong>. L\u2019obiettivo finale \u00e8 dunque duplice: da un lato approfondire la conoscenza scientifica dei miti eroici e divini del Mediterraneo antico e, dall\u2019altro, creare prodotti culturali e applicazioni virtuali in grado di essere fruite e utilizzate al meglio da diverse categorie di utenti: oltre agli addetti ai lavori specializzati in ambiti diversi dall\u2019iconografia, i curatori museali, gli insegnanti, gli studenti, i giovani gi\u00e0 formati ma interessati ad approfondire il mondo del mito, gli appassionati dell\u2019archeologia e della letteratura antica.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-2\" data-row=\"script-row-unique-2\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-2\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row has-bg need-focus style-color-gyho-bg vc_custom_1769704358417 row-container\" style=\"border-top-width: 1px ;border-bottom-width: 1px ;\" id=\"row-unique-3\"><div class=\"row unequal col-double-gutter quad-top-padding quad-bottom-padding quad-h-padding full-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-right align_right column_parent col-lg-8 col-md-50 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode-single-media  text-left\"><div class=\"single-wrapper\" style=\"max-width: 100%;\"><div class=\"tmb tmb-light  tmb-img-ratio tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg\"><div class=\"t-inside\"><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"uncode-single-media-wrapper\"><div class=\"h3 youtube-video fluid-object\" style=\"padding-top: 56.31%\"><iframe title=\"Il racconto del Mito. Un viaggio nella mitologia mediterranea\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/cwQeX7bb5TA?feature=oembed&amp;si=1z8JA4DPJu7IOdms\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"wpb_column pos-top pos-left align_left align_center_mobile column_parent col-lg-4 col-md-50 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell single-block-padding\" ><div class=\"uncont\" style=\" max-width:528px;\" ><div class=\"vc_custom_heading_wrap \"><div class=\"heading-text el-text\" ><\/p>\n<h1>Il racconto del mito<\/h1>\n<h3>Un viaggio nella mitologia mediterranea<\/h3>\n<p>\n<hr class=\"separator-break separator-accent\" \/><div class=\"text-lead text-top-reduced\"><p>La rubrica del gruppo di ricerca Mediterraneo dei miti<\/p>\n<\/div><\/div><div class=\"clear\"><\/div><\/div><span class=\"btn-container animate_when_almost_visible zoom-in\" ><a role=\"button\"  href=\"https:\/\/www.ispc.cnr.it\/it_it\/medimit-il-racconto-del-mito\/\" class=\"custom-link btn btn-lg border-width-0 btn-default btn-icon-left\" target=\"_blank\">Scopri di pi\u00f9<\/a><\/span><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-3\" data-row=\"script-row-unique-3\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-3\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-4\"><div class=\"row single-top-padding single-bottom-padding single-h-padding limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-8 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode_text_column text-lead\" ><\/p>\n<h3><strong>Attivit\u00e0 didattica e alta formazione<\/strong><\/h3>\n<p>Il gruppo Mediterraneo dei miti \u00e8 impegnato in attivit\u00e0 di alta formazione con diversi Atenei:<\/p>\n<ul>\n<li>Universit\u00e0 degli studi Federico II di Napoli, Dipartimento di Architettura (DiARC)<\/li>\n<li>Universit\u00e0 degli studi di Napoli L\u2019Orientale, corso di Preistoria e Protostoria<\/li>\n<li>Scuola Interateneo di Specializzazione in Beni Archeologici \u201cTra Oriente e Occidente\u201d, Universit\u00e0 degli Studi di Salerno, Universit\u00e0 degli Studi di Napoli L\u2019Orientale, corso di Etnografia Preistorica dell\u2019Africa e dell\u2019Asia<\/li>\n<\/ul>\n<h4><strong>Periodici e Collane<\/strong><\/h4>\n<p><strong><em>Il Mediterraneo dei miti<\/em><\/strong><strong>, <\/strong>collana CNR in via di costituzione (resp. Sara Di Marcello)<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-4 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div id=\"gallery-915220\" class=\"un-media-gallery isotope-system isotope-general-light grid-general-light\">\n\t\t\t\t\t\n\t\n\t<div class=\"isotope-wrapper grid-wrapper single-gutter\" >\n\t\t\t\t\t\t\t\t\t<div class=\"isotope-container isotope-layout style-masonry\" data-type=\"masonry\" data-layout=\"masonry\" data-lg=\"1000\" data-md=\"600\" data-sm=\"480\">\n<div class=\"tmb tmb-iso-w5 tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-bordered tmb-id-8115  tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg tmb-lightbox\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 62.1%;\"><\/div><a href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Bellelli_10.jpg\"  class=\"pushed\" data-caption=\"Eracle tende l\u2019arco per uccidere Gerione: dettaglio di un vaso attico a figure nere | \u00a9 Disegno L. Attisani\" data-dir=\"vertical\" data-lbox=\"ilightbox_gallery-915220\" data-options=\"width:1690,height:1049,thumbnail: 'https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Bellelli_10-300x186.jpg'\" data-lb-index=\"0\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.5;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt \">Eracle tende l\u2019arco per uccidere Gerione: dettaglio di un vaso attico a figure nere | \u00a9 Disegno L. Attisani<\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-8115\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Bellelli_10.jpg\" width=\"1690\" height=\"1049\" alt=\"Eracle tende l\u2019arco per uccidere Gerione: dettaglio di un vaso attico a figure nere\" srcset=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Bellelli_10.jpg 1690w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Bellelli_10-300x186.jpg 300w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Bellelli_10-1024x636.jpg 1024w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Bellelli_10-768x477.jpg 768w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Bellelli_10-1536x953.jpg 1536w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Bellelli_10-18x12.jpg 18w\" sizes=\"(max-width: 1690px) 100vw, 1690px\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\t\n\t\n<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-4\" data-row=\"script-row-unique-4\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-4\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row inverted-device-order has-bg need-focus style-accent-bg row-container\" id=\"row-unique-5\"><div class=\"row col-double-gutter single-top-padding single-bottom-padding single-h-padding limit-width row-parent\" data-height-ratio=\"35\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-middle pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-spec style-dark\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode_text_column\" ><\/p>\n<h3 style=\"text-align: left;\">Staff 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}@media only screen and (min-width: 1024px) { .sptp-row .sptp-col-md-1 { -webkit-box-flex: 0; -ms-flex: 0 0 100%; flex: 0 0 100%; max-width: 100%; } .sptp-row .sptp-col-md-2 { -webkit-box-flex: 0; -ms-flex: 0 0 50%; flex: 0 0 50%; max-width: 50%; } .sptp-row .sptp-col-md-2-half { -webkit-box-flex: 0; -ms-flex: 0 0 70%; flex: 0 0 70%; max-width: 70%; } .sptp-row .style-top.sptp-col-md-2-half { -webkit-box-flex: 0; -ms-flex: 0 0 100%; flex: 0 0 100%; max-width: 100%; } .sptp-row .sptp-col-md-3 { -webkit-box-flex: 0; -ms-flex: 0 0 33.22222222%; flex: 0 0 33.22222222%; max-width: 33.22222222%; } .sptp-row .sptp-col-md-4 { -webkit-box-flex: 0; -ms-flex: 0 0 25%; flex: 0 0 25%; max-width: 25%; } .sptp-row .style-top.sptp-col-md-4 { -webkit-box-flex: 0; -ms-flex: 0 0 100%; flex: 0 0 100%; max-width: 100%; } .sptp-row .sptp-col-md-5 { -webkit-box-flex: 0; -ms-flex: 0 0 20%; flex: 0 0 20%; max-width: 20%; } .sptp-row .sptp-col-md-6 { -webkit-box-flex: 0; -ms-flex: 0 0 16.6667%; flex: 0 0 16.6667%; max-width: 16.6667%; } .sptp-row .sptp-col-md-7 { -webkit-box-flex: 0; -ms-flex: 0 0 14.28571428%; flex: 0 0 14.28571428%; max-width: 14.28571428%; } .sptp-row .sptp-col-md-8 { -webkit-box-flex: 0; -ms-flex: 0 0 12.5%; flex: 0 0 12.5%; max-width: 12.5%; } .sp-wp-team-pro-wrapper .pagination_hide_on_mobile, .sp-wp-team-pro-wrapper div:is(.sptp-button-next,.sptp-button-prev).nev_hide_on_mobile { display: block; } }@media only screen and (min-width: 1200px) { .sptp-row .sptp-col-lg-1 { -webkit-box-flex: 0; -ms-flex: 0 0 100%; flex: 0 0 100%; max-width: 100%; } .sptp-row .sptp-col-lg-2 { -webkit-box-flex: 0; -ms-flex: 0 0 50%; flex: 0 0 50%; max-width: 50%; } .sptp-row .sptp-col-lg-3 { -webkit-box-flex: 0; -ms-flex: 0 0 33.22222222%; flex: 0 0 33.22222222%; max-width: 33.22222222%; } .sptp-row .sptp-col-lg-4 { -webkit-box-flex: 0; -ms-flex: 0 0 25%; flex: 0 0 25%; max-width: 25%; } .sptp-row .sptp-col-lg-5 { -webkit-box-flex: 0; -ms-flex: 0 0 20%; flex: 0 0 20%; max-width: 20%; } .sptp-row .sptp-col-lg-6 { -webkit-box-flex: 0; -ms-flex: 0 0 16.6667%; flex: 0 0 16.6667%; max-width: 16.6667%; } .sptp-row .sptp-col-lg-7 { -webkit-box-flex: 0; -ms-flex: 0 0 14.28571428%; flex: 0 0 14.28571428%; max-width: 14.28571428%; } .sptp-row .sptp-col-lg-8 { -webkit-box-flex: 0; -ms-flex: 0 0 12.5%; flex: 0 0 12.5%; max-width: 12.5%; } .sp-wp-team-pro-wrapper .pagination_hide_on_mobile, .sp-wp-team-pro-wrapper div:is(.sptp-button-next,.sptp-button-prev).nev_hide_on_mobile { display: block; } .sptp-mosaic .sptp-col-lg-1.sptp-member:nth-child(2n) .sptp-member-avatar, .sptp-mosaic .sptp-col-lg-2.sptp-member:nth-child(4n) .sptp-member-avatar, .sptp-mosaic .sptp-col-lg-2.sptp-member:nth-child(4n-1) .sptp-member-avatar, .sptp-mosaic .sptp-col-lg-3.sptp-member:nth-child(6n) .sptp-member-avatar, .sptp-mosaic .sptp-col-lg-3.sptp-member:nth-child(6n-1) .sptp-member-avatar, .sptp-mosaic .sptp-col-lg-3.sptp-member:nth-child(6n-2) .sptp-member-avatar, .sptp-mosaic .sptp-col-lg-4.sptp-member:nth-child(8n) .sptp-member-avatar, .sptp-mosaic .sptp-col-lg-4.sptp-member:nth-child(8n-1) .sptp-member-avatar, .sptp-mosaic .sptp-col-lg-4.sptp-member:nth-child(8n-2) .sptp-member-avatar, .sptp-mosaic .sptp-col-lg-4.sptp-member:nth-child(8n-3) .sptp-member-avatar { -webkit-box-ordinal-group: 2 !important; -ms-flex-order: 1 !important; order: 1 !important; } .sptp-mosaic .sptp-col-lg-1.sptp-member:nth-child(2n) .sptp-arrow, .sptp-mosaic .sptp-col-lg-2.sptp-member:nth-child(4n) .sptp-arrow, .sptp-mosaic .sptp-col-lg-2.sptp-member:nth-child(4n-1) .sptp-arrow, .sptp-mosaic .sptp-col-lg-3.sptp-member:nth-child(6n) .sptp-arrow, .sptp-mosaic .sptp-col-lg-3.sptp-member:nth-child(6n-1) .sptp-arrow, .sptp-mosaic .sptp-col-lg-3.sptp-member:nth-child(6n-2) .sptp-arrow, .sptp-mosaic .sptp-col-lg-4.sptp-member:nth-child(8n) .sptp-arrow, .sptp-mosaic .sptp-col-lg-4.sptp-member:nth-child(8n-1) .sptp-arrow, .sptp-mosaic .sptp-col-lg-4.sptp-member:nth-child(8n-2) .sptp-arrow, .sptp-mosaic .sptp-col-lg-4.sptp-member:nth-child(8n-3) .sptp-arrow { left: auto; right: -20px; border-left-width: 20px; border-right-width: 0; } }<\/style><div class=\"sp-wp-team-pro-wrapper wp-team-pro-preloader\" > <div id=\"sptp-8124\" class=\"sp-team-pro sptp-carousel sptp-section sptp-new_page\" > <div class=\"sp-team-pro-page-loading-image\"><\/div> <div dir=ltr style=\"opacity: 0\" class=\"swiper-container sptp-main-carousel top-right sptp_carousel_pagination_show standard\" data-carousel='{\"fade_mode\": \"\", \"mode\": \"standard\", \"speed\": 300, \"pagination_type\": \"scrollbar\", \"items\": 5,\"min_item\": 1, \"per_slide\": 4, \"spaceBetween\": 24, \"autoplay\": true, \"autoplay_speed\": 5000, \"mouse_wheel\": false, \"allowTouchMove\": true, \"simulateTouch\": true, \"freeMode\": true, \"loop\": false, \"autoHeight\": true, \"breakpoints\": { \"desktop\": 5, \"desktop_screen_size\": 1200, \"laptop_screen_size\": 1024, \"tablet_screen_size\": 768, \"mobile_screen_size\": 320, \"desktop_pSlide\": 4, \"desktop_row\": 1, \"laptop\": 3, \"laptop_pSlide\": 3, \"laptop_row\": 1, \"tablet\": 2, \"tablet_pSlide\": 2, \"tablet_row\": 1, \"mobile\": 1, \"mobile_pSlide\": 1, \"mobile_row\": 1 }, \"stop_onhover\": true, \"enabled\": true, \"prevSlideMessage\": \"Previous slide\", \"nextSlideMessage\": \"Next slide\", \"firstSlideMessage\": \"This is the first slide\", \"lastSlideMessage\": \"This is the last slide\", \"paginationBulletMessage\": \"Go to slide {{index}}\"}' data-nav_arrow='angle'> <div class=\"swiper-wrapper top_img_bottom_content\"> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"1410\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/alberti-lucia\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"1410\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2020\/05\/Alberti.jpg\" alt=\"Lucia Alberti\" width=\"600\" height=\"600\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/alberti-lucia\/\" target=\"_blank\" > Lucia Alberti <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"1627\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/bellelli-vincenzo\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"1627\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2020\/05\/Bellelli.jpg\" alt=\"Vincenzo Bellelli\" width=\"600\" height=\"600\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/bellelli-vincenzo\/\" target=\"_blank\" > Vincenzo Bellelli <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"18072\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/biondi-ennio-giuseppe-agatino\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"18072\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2023\/11\/Ennio-Biondi_CNR-ISPC.png\" alt=\"Ennio Giuseppe Agatino Biondi\" width=\"1050\" height=\"1050\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/biondi-ennio-giuseppe-agatino\/\" target=\"_blank\" > Ennio Giuseppe Agatino Biondi <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"1654\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/biondi-giacomo\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"1654\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2020\/09\/Biondi.jpg\" alt=\"Giacomo Biondi\" width=\"600\" height=\"600\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/biondi-giacomo\/\" target=\"_blank\" > Giacomo Biondi <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"1661\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/caruso-fabio\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"1661\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2020\/05\/F.-Caruso_cnr-ispc.png\" alt=\"Fabio Caruso\" width=\"1050\" height=\"1050\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/caruso-fabio\/\" target=\"_blank\" > Fabio Caruso <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"1663\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/cultraro-massimo\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"1663\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2020\/05\/Cultraro.jpg\" alt=\"Massimo Cultraro\" width=\"600\" height=\"600\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/cultraro-massimo\/\" target=\"_blank\" > Massimo Cultraro <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"1817\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/garbati-giuseppe\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"1817\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2020\/05\/Garbati-Giuseppe_cnr-ispc_.png\" alt=\"Giuseppe Garbati\" width=\"1050\" height=\"1050\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/garbati-giuseppe\/\" target=\"_blank\" > Giuseppe Garbati <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"18322\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/gasbarri-giovanni\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"18322\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2024\/01\/Giovanni-Gasbarri_cnr-ispc.png\" alt=\"Giovanni Gasbarri\" width=\"1050\" height=\"1050\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/gasbarri-giovanni\/\" target=\"_blank\" > Giovanni Gasbarri <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"3430\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/montanaro-andrea-celestino\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"3430\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2020\/07\/Montanaro_Andrea_C_cnr-ispc.png\" alt=\"Andrea Celestino Montanaro\" width=\"1050\" height=\"1050\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/montanaro-andrea-celestino\/\" target=\"_blank\" > Andrea Celestino Montanaro <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"1707\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/pautasso-antonella\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"1707\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2020\/05\/A.-Pautasso_cnr-ispc.png\" alt=\"Antonella Pautasso\" width=\"1050\" height=\"1050\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/pautasso-antonella\/\" target=\"_blank\" > Antonella Pautasso <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"1709\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/pavone-danilo\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"1709\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2020\/05\/danilo-pavone-copia.jpeg\" alt=\"Danilo Paolo Pavone\" width=\"600\" height=\"600\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/pavone-danilo\/\" target=\"_blank\" > Danilo Paolo Pavone <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"1586\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/roubis-dimitris\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"1586\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2020\/05\/D_Roubis_cnr-ispc.png\" alt=\"Dimitris Roubis\" width=\"1050\" height=\"1050\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/roubis-dimitris\/\" target=\"_blank\" > Dimitris Roubis <\/a> <\/h2><\/div> <\/div> <\/div> <div class=\"swiper-slide sp-team-pro-item\" data-member=\"1720\"> <div class=\"sptp-member border-bg-around-member sptp-bottom-content sptp-square\"> <a class=\"sptp-member-avatar \" href=https:\/\/www.ispc.cnr.it\/en\/team\/santangelo-stefania\/ target=_blank > <div class=\"sptp-member-avatar-img-area\" data-id=\"1720\"> <div class=\"sptp-member-avatar-img sptp-square sptp-icon-on-image \"> <div class=\"sptp-overflow-h\"> <div class=\"sptp-icon text-center\"> <i class=\"fa fa-plus\"><\/i> <\/div> <img decoding=\"async\" class=\"sptp_default_img \" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2020\/05\/S.-Santangelo_cnr-ispc.png\" alt=\"Stefania Santangelo\" width=\"1050\" height=\"1050\"> <\/div> <\/div> <\/div> <\/a> <div class=\"sptp-member-name member_name_clickable\"> <h2 class=\"sptp-name\"> <a href=\"https:\/\/www.ispc.cnr.it\/en\/team\/santangelo-stefania\/\" target=\"_blank\" > Stefania Santangelo <\/a> <\/h2><\/div> <\/div> <\/div> <\/div> <div class=\"sptp-pagination swiper-scrollbar sptp-pagination-scrollbar \"><\/div> <div class=\"sptp-button-next swiper-button-next top-right \"><i class=\"sp-team-icon-angle-right\"><\/i><\/div> <div class=\"sptp-button-prev swiper-button-prev top-right\"><i class=\"sp-team-icon-angle-left\"><\/i><\/div> <\/div> <\/div> <\/div> \n<\/div><div class=\"vc_custom_heading_wrap \"><div class=\"heading-text el-text\" ><h5 class=\"h5 text-uppercase\" ><span>Come contattarci<\/span><\/h5><\/div><div class=\"clear\"><\/div><\/div><div class=\"icon-box icon-box-left icon-box-space-reduced\" ><div class=\"icon-box-icon fa-container\" ><span class=\"text-default-color btn-disable-hover\"><i class=\"fa fa-envelope3 fa-3x fa-fw\"><\/i><\/span><\/div><div class=\"icon-box-content\"><div class=\"icon-box-heading icon-box-fa-3x\"><h4 class=\"h4\">medimitgroup@ispc.cnr.it<\/h4><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-5\" data-row=\"script-row-unique-5\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-5\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-6\"><div class=\"row col-double-gutter single-top-padding single-bottom-padding single-h-padding limit-width row-parent\" data-height-ratio=\"35\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div id=\"gallery-169853\" class=\"un-media-gallery isotope-system isotope-general-light grid-general-light\">\n\t\t\t\t\t\n\t\n\t<div class=\"isotope-wrapper grid-wrapper single-gutter\" >\n\t\t\t\t\t\t\t\t\t<div class=\"isotope-container isotope-layout style-masonry\" data-type=\"masonry\" data-layout=\"masonry\" data-lg=\"1000\" data-md=\"600\" data-sm=\"480\">\n<div class=\"tmb tmb-iso-w6 tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-id-8208  tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg tmb-lightbox\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 66.9%;\"><\/div><a href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/1_medimit_Lucarini.jpeg\"  class=\"pushed\" data-caption=\"Wadi Sura, Gilf Kebir, Egitto. Grotta delle Bestie  | \u00a9 Maria Cristina Tomassetti\" data-dir=\"vertical\" data-lbox=\"ilightbox_gallery-169853\" data-options=\"width:2362,height:1581,thumbnail: 'https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/1_medimit_Lucarini-300x201.jpeg'\" data-lb-index=\"0\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.7;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt \">Wadi Sura, Gilf Kebir, Egitto. Grotta delle Bestie  | \u00a9 Maria Cristina Tomassetti<\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-8208\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/1_medimit_Lucarini.jpeg\" width=\"2362\" height=\"1581\" alt=\"Wadi Sura, Gilf Kebir, Egitto. Grotta delle Bestie\" srcset=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/1_medimit_Lucarini.jpeg 2362w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/1_medimit_Lucarini-300x201.jpeg 300w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/1_medimit_Lucarini-1024x685.jpeg 1024w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/1_medimit_Lucarini-768x514.jpeg 768w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/1_medimit_Lucarini-1536x1028.jpeg 1536w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/1_medimit_Lucarini-2048x1371.jpeg 2048w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/1_medimit_Lucarini-18x12.jpeg 18w\" sizes=\"(max-width: 2362px) 100vw, 2362px\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><div class=\"tmb tmb-iso-w6 tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-id-8209  tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg tmb-lightbox\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 81.1%;\"><\/div><a href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/antichi-ex-voto_corinto.png\"  class=\"pushed\" data-caption=\"Antichi ex voto con parti anatomiche dall\u2019Asklepieion di Corinto | \u00a9 Lucia Alberti, CNR ISPC\" data-dir=\"vertical\" data-lbox=\"ilightbox_gallery-169853\" data-options=\"width:508,height:412,thumbnail: 'https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/antichi-ex-voto_corinto-300x243.png'\" data-lb-index=\"1\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.7;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt \">Antichi ex voto con parti anatomiche dall\u2019Asklepieion di Corinto | \u00a9 Lucia Alberti, CNR ISPC<\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-8209\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/antichi-ex-voto_corinto.png\" width=\"508\" height=\"412\" alt=\"Antichi ex voto con parti anatomiche dall\u2019Asklepieion di Corinto\" srcset=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/antichi-ex-voto_corinto.png 508w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/antichi-ex-voto_corinto-300x243.png 300w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/antichi-ex-voto_corinto-15x12.png 15w\" sizes=\"(max-width: 508px) 100vw, 508px\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><div class=\"tmb tmb-iso-w6 tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-id-8212  tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg tmb-lightbox\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 82.5%;\"><\/div><a href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/tamata_ex-voto_grecia.png\"  class=\"pushed\" data-caption=\"Tamata: ex voto greci di epoca contemporanea | \u00a9 Lucia Alberti, CNR ISPC\" data-dir=\"vertical\" data-lbox=\"ilightbox_gallery-169853\" data-options=\"width:497,height:410,thumbnail: 'https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/tamata_ex-voto_grecia-300x247.png'\" data-lb-index=\"2\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.7;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt \">Tamata: ex voto greci di epoca contemporanea | \u00a9 Lucia Alberti, CNR ISPC<\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-8212\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/tamata_ex-voto_grecia.png\" width=\"497\" height=\"410\" alt=\"Tamata: ex voto greci di epoca contemporanea\" srcset=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/tamata_ex-voto_grecia.png 497w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/tamata_ex-voto_grecia-300x247.png 300w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/tamata_ex-voto_grecia-15x12.png 15w\" sizes=\"(max-width: 497px) 100vw, 497px\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><div class=\"tmb tmb-iso-w6 tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-id-8114  tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg tmb-lightbox\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 89.2%;\"><\/div><a href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Prinia\u0300s.jpg\"  class=\"pushed\" data-caption=\"Eracle e Cerbero su un frammento vascolare del VII sec. a.C. dalla necropoli di Prini\u00e0s, Creta | \u00a9 Giacomo Biondi, CNR ISPC\" data-dir=\"vertical\" data-lbox=\"ilightbox_gallery-169853\" data-options=\"width:1683,height:1502,thumbnail: 'https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Prinia\u0300s-300x268.jpg'\" data-lb-index=\"3\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.7;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt \">Eracle e Cerbero su un frammento vascolare del VII sec. a.C. dalla necropoli di Prini\u00e0s, Creta | \u00a9 Giacomo Biondi, CNR ISPC<\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-8114\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Prinia\u0300s.jpg\" width=\"1683\" height=\"1502\" alt=\"Eracle e Cerbero su un frammento vascolare del VII sec. a.C. dalla necropoli di Prini\u00e0s, Creta\" srcset=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Prinia\u0300s.jpg 1683w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Prinia\u0300s-300x268.jpg 300w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Prinia\u0300s-1024x914.jpg 1024w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Prinia\u0300s-768x685.jpg 768w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Prinia\u0300s-1536x1371.jpg 1536w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2021\/09\/Prinia\u0300s-13x12.jpg 13w\" sizes=\"(max-width: 1683px) 100vw, 1683px\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\t\n\t\n<\/div>\n\n<div class=\"uncode_text_column\" ><\/p>\n<h3>Progetti e attivit\u00e0 di ricerca<\/h3>\n<p>\n<\/div><div class=\"uncode-accordion wpb_accordion wpb_content_element  sign-size-rg default-typography w-border\" data-collapsible=\"no\" data-target=\"\" data-active-tab=\"0\" >\n\t\t<div class=\"panel-group wpb_wrapper wpb_accordion_wrapper\" id=\"accordion_723868800\" data-no-toggle=\"\">\n\n<div class=\"panel panel-default wpb_accordion_section group\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_723868800\" href=\"#1631695638-1-53\"><span>Alle radici del mito: immagini narranti nell\u2019Egeo prima e dopo Omero<\/span><\/a><\/p><\/div><div id=\"1631695638-1-53\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>Fin dalli primi tentativi di definizione cronologica e culturale dell\u2019Egeo durante l\u2019et\u00e0 del Bronzo, \u00e8 un dato saldamente acquisito che le civilt\u00e0, minoica prima e micenea in seguito, avessero elaborato un complesso sistema di rappresentazione figurata su molteplici supporti, come pitture parietali e sigilli, lasciando intravvedere un mondo di simboli, valori e credenze.<\/p>\n<p>Il tentativo di percepire e ricostruire i possibili molteplici nessi simbolici tra immagine e sistema concettuale diventa, grazie alla ricchezza della documentazione relativa la Grecia del II millennio a.C., una sfida a cui l\u2019archeologo non pu\u00f2 sottrarsi per stabilire nessi o, in altrnativa, elementi di discontinuit\u00e0 con l\u2019altro straordinario contesto ideologico e cosmogonico rappresentato dal mondo omerico, che va concettualmente a colmare il periodo compreso tra il collasso della civilt\u00e0 palatina micenea e la formazione delle prime societ\u00e0 organizzate intorno alla <em>polis<\/em>. Partendo dalle prime elaborazioni proposte dal mondo minoico, per poi passare alla societ\u00e0 micenea che elabora un complesso di miti dominato da forze divine, si pu\u00f2 recuperare uno o pi\u00f9 fili della complessa trama cosmogonica che trover\u00e0 secoli dopo una prima sistematizzazione non solo nell\u2019epica omerica, che eredita certamente un patrimonio mitologico pi\u00f9 antico, ma soprattutto nel grande processo normativo elaborato da Esiodo (<strong>resp. Massimo Cultraro<\/strong>).<\/p>\n<\/div><\/div><\/div><\/div><div class=\"panel panel-default wpb_accordion_section group\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_723868800\" href=\"#1631695638-2-97\"><span>Il mito nel mondo etrusco<\/span><\/a><\/p><\/div><div id=\"1631695638-2-97\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>Esistono numerose testimonianze iconografiche ed epigrafiche del fatto che gli Etruschi elaborarono un proprio repertorio di miti. Di questo repertorio, che si \u00e8 stratificato nel tempo, fanno parte sia racconti \u201cpresi di peso\u201d da altre culture, in particolare da quella greca, che racconti apparentemente pi\u00f9 originali che, sia nei protagonisti, che nelle storie raccontate, non mostrano debiti rilevanti nei confronti del mondo greco. La ricerca prende in considerazione soprattutto i casi in cui l\u2019interferenza culturale fra mondo greco e mondo etrusco \u00e8 maggiore (<strong>resp. Vincenzo Bellelli<\/strong>).<\/p>\n<\/div><\/div><\/div><\/div><div class=\"panel panel-default wpb_accordion_section group\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_723868800\" href=\"#1631697615085-2-10\"><span>Mito e immagine nel mondo greco<\/span><\/a><\/p><\/div><div id=\"1631697615085-2-10\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>Il patrimonio di immagini legate al mito offre un serbatoio pressoch\u00e9 inesauribile per lo studio storico e antropologico del mondo antico. Poich\u00e9 l\u2019immagine non \u00e8 parola, il testo figurativo va considerato non vassallo della fonte letteraria, ma alleato e alternativo ad essa e deve essere indagato secondo metodi propri: in questa prospettiva particolare attenzione deve essere riservata allo spazio (sacrale, pubblico, funerario) nel quale il racconto mitico figurato viene chiamato a svolgere la sua funzione (<strong>resp. Fabio Caruso<\/strong>).<\/p>\n<\/div><\/div><\/div><\/div><div class=\"panel panel-default wpb_accordion_section group\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_723868800\" href=\"#1631697644492-3-2\"><span>Mito e rito: narrazioni, pratiche rituali e societ\u00e0 nel mondo greco<\/span><\/a><\/p><\/div><div id=\"1631697644492-3-2\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>Il tema proposto privilegia l\u2019analisi del rapporto tra narrazione mitica e pratica rituale, con particolare riguardo a momenti di fondamentale importanza nella vita dei Greci, per noi spesso ricostruibili sulla base dell\u2019evidenza materiale. Pratiche votive, rituali legati al passaggio d\u2019et\u00e0 e all\u2019integrazione di nuove generazioni nella societ\u00e0, matrimonio, ritualit\u00e0 funeraria, sono solo alcuni degli aspetti della religiosit\u00e0 greca che si definiscono e si svolgono sullo sfondo di narrazioni mitiche che costituiscono, secondo le parole di Julien Ries, la &#8220;costante importante e permanente del sacro&#8221; (<strong>resp. Antonella Pautasso<\/strong>).<\/p>\n<\/div><\/div><\/div><\/div><div class=\"panel panel-default wpb_accordion_section group\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_723868800\" href=\"#1631697673621-4-2\"><span>In mare, per terra, sulle rocce. Gli d\u00e8i, il mito e la rielaborazione del paesaggio in ambito fenicio<\/span><\/a><\/p><\/div><div id=\"1631697673621-4-2\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>Le caratteristiche naturali dell\u2019ambiente svolsero senza dubbio un ruolo chiave nella formazione culturale delle comunit\u00e0 fenicie, cos\u00ec nelle originarie sedi di Oriente come nelle regioni occidentali del Mediterraneo in cui migranti levantini andarono a insediarsi. Nell\u2019ambito dei processi che, nelle mappe concettuali degli antichi protagonisti, trasformarono l\u2019ambiente in un luogo abitabile (il \u201cluogo\u201d in \u201clocalit\u00e0\u201d), uno strumento prioritario fu senza dubbio rappresentato dal mito; quest\u2019ultimo dovette svolgere il compito ineludibile di fondare la presenza stessa dei Fenici in certi territori e di garantire la sicurezza di quella presenza attraverso il favore delle potenze divine. Con questa linea di ricerca, dunque, ci proponiamo di esaminare le forme in cui il paesaggio venne rielaborato culturalmente dai Fenici; la lente principale di osservazione sar\u00e0 rappresentata dalle ideologie e dalle credenze religiose delle comunit\u00e0 in oggetto (<strong>resp. Giuseppe Garbati<\/strong>).<\/p>\n<\/div><\/div><\/div><\/div><div class=\"panel panel-default wpb_accordion_section group\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_723868800\" href=\"#1631697712051-5-1\"><span>I miti in immagine tra le popolazioni italiche<\/span><\/a><\/p><\/div><div id=\"1631697712051-5-1\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p><strong>I contesti, le rielaborazioni e gli adattamenti e\/o adeguamenti per le esigenze di autorappresentazione delle aristocrazie.<\/strong><\/p>\n<p>Sin dagli ultimi decenni del VI secolo a.C., i gruppi ristretti dominanti della Puglia e della Basilicata sono i principali acquirenti dei prodotti realizzati dalle officine attiche e poi italiote, con particolare riguardo ai vasi di maggiori dimensioni quali i crateri. Si tratta di una domanda altamente qualificata, poich\u00e9 a tali oggetti, che costituiscono gli elementi pi\u00f9 complessi del corredo funebre, sono affidati i messaggi ideologici e le esigenze rappresentative dei defunti: la loro ricchezza, il ruolo sociale rivestito in vita, l\u2019adesione a modelli culturali e ideologici ellenici, cos\u00ec come l\u2019adesione e l\u2019intima partecipazione a forme di religiosit\u00e0 e a credenze di tipo salvifico, tuttavia rielaborati e adeguati ai propri valori e alle proprie categorie mentali. Per tali motivi \u00e8 molto probabile che tale qualificata clientela abbia condizionato in seguito la produzione figurata italiota sin dall\u2019inizio con le proprie necessit\u00e0 espressive, avanzando richieste specifiche e operando scelte a livello tematico e compositivo (<strong>resp. Andrea C. Montanaro<\/strong>).<\/p>\n<\/div><\/div><\/div><\/div><div class=\"panel panel-default wpb_accordion_section group\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_723868800\" href=\"#1631697765892-6-2\"><span>I miti mediterranei fra antico e tradizioni contemporanee<\/span><\/a><\/p><\/div><div id=\"1631697765892-6-2\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>Le relazioni fra miti antichi e tradizioni popolari moderne sono note da tempo, ma l\u2019estrema difficolt\u00e0 di definire i caratteri specifici di questo legame e di distinguere all\u2019interno dei fenomeni contemporanei ci\u00f2 che ha radici antiche da ci\u00f2 che \u00e8 creazione autonoma recente, ha spesso impedito di giungere a una loro chiara comprensione. Un\u2019analisi non pregiudiziale dei miti antichi nel loro contesto mediterraneo e della possibilit\u00e0 che di essi vi sia ancora traccia nel mondo di oggi, pu\u00f2 contribuire a fare emergere alcuni indizi della loro presenza non solo in culti, azioni rituali, festivit\u00e0, costumi funerari, ma anche nella materialit\u00e0 di oggetti, insediamenti, infrastrutture, aree cimiteriali, riportando alla luce i legami nascosti fra antico e modernit\u00e0 (<strong>resp. Lucia Alberti<\/strong>).<\/p>\n<\/div><\/div><\/div><\/div><div class=\"panel panel-default wpb_accordion_section group\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_723868800\" href=\"#1631697793434-7-5\"><span>Studio dei repertori iconografici relativi all\u2019arte rupestre del Sahara e della Valle del Nilo<\/span><\/a><\/p><\/div><div id=\"1631697793434-7-5\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>Questo filone di ricerca si concentrer\u00e0 sull\u2019analisi dei siti di arte rupestre delle regioni sahariane e dell\u2019Africa mediterranea, con particolare riguardo allo studio delle figure fantastiche e delle scene narrative dal chiaro valore mitologico, che spesso caratterizzano i registri artistici relativi alla tarda preistoria nordafricana. Queste raffigurazioni di carattere mitico o religioso sono spesso di difficile interpretazione; nell\u2019ambito delle attivit\u00e0 condotte in seno al Gruppo si tenter\u00e0 di delinearne le caratteristiche principali e i loro possibili significati (<strong>resp. Giulio Lucarini<\/strong>).<\/p>\n<\/div><\/div><\/div><\/div><div class=\"panel panel-default wpb_accordion_section group\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_723868800\" href=\"#1631697828558-8-6\"><span>Il mito a Creta nell\u2019et\u00e0 del Ferro<\/span><\/a><\/p><\/div><div id=\"1631697828558-8-6\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>Soggetti di carattere narrativo e mitologico sono piuttosto rari nell\u2019immaginario cretese fino al VI secolo a.C., popolato da demoni alati e da esseri fantastici che si prestano a varie interpretazioni. \u00c8 tuttavia interessante comparare tali testimonianze, tipiche del mondo cretese, alle prime manifestazioni figurate che seguono iconografie comuni al resto del mondo greco (<strong>resp. Giacomo Biondi<\/strong>).<\/p>\n<\/div><\/div><\/div><\/div><div class=\"panel panel-default wpb_accordion_section group\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_723868800\" href=\"#1675341644913-9-6\"><span>Archeologia pubblica e narrazione: il mito si racconta<\/span><\/a><\/p><\/div><div id=\"1675341644913-9-6\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>Si tratta della divulgazione del patrimonio mitologico antico tramite racconti teatralizzati e allestimenti espositivi. L\u2019espediente narrativo ha l&#8217;intento di avvicinare in modo originale lo spettatore alle vicende mitologiche del mondo classico che, se per l&#8217;uomo antico erano note, oggi risultano spesso sconosciute. Le narrazioni teatralizzate e le esposizioni, anche con l\u2019uso di nuove tecnologie, vengono cos\u00ec concepite come una forma alternativa di tipo &#8220;emozionale&#8221; di comunicazione dell\u2019archeologia rivolta al vasto pubblico (<strong>resp. Dimitris Roubis<\/strong>).<\/p>\n<div title=\"Page 1\">\n<p><strong>\u2192 <\/strong><a href=\"https:\/\/www.ispc.cnr.it\/it_it\/2023\/04\/21\/teatro-e-archeologia-pubblica-erigone-un-simposio-a-napoli-la-narrazione-mitologica\/\" target=\"_blank\" rel=\"noopener\">Evento Erigone, un simposio a Napoli. La narrazione mitologica | 29 aprile 2023 | ore 20:00 | Teano, Museo archeologico di Teanum Sidicinum<\/a><\/p>\n<ul>\n<li><a href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2023\/04\/Roubis_TEANO_LOCANDINA.jpeg\" target=\"_blank\" rel=\"noopener\">LOCANDINA<\/a><\/li>\n<\/ul>\n<\/div>\n<p>\n<\/div><\/div><\/div><\/div><div class=\"panel panel-default wpb_accordion_section group\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_723868800\" href=\"#1703072014088-10-5\"><span>La trasformazione del mito e le origini della storiografia<\/span><\/a><\/p><\/div><div id=\"1703072014088-10-5\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>Tra la seconda met\u00e0 del VII e la prima met\u00e0 del VI sec. a.C. in Grecia, e soprattutto nella Ionia, si verifica una grande trasformazione culturale e religiosa che cambia l&#8217;approccio dell&#8217;uomo con la religione e porta ad una revisione dei miti popolari, come ad esempio nel caso di Eracle. Proprio in connessione con questo grande mutamento si afferma una nuova attitudine di ricerca e interpretazione del reale che ricorre in modo differente, secondo una via critica e razionale, al mito. Le prime testimonianze di storiografia arcaica si caratterizzano proprio per un mutato approccio al mito che, alla luce del suo valore interpretativo della realt\u00e0, viene riletto in una chiave diversa che critica il valore della tradizione come fonte di verit\u00e0 assoluta e di attinenza fattuale. Si propone quindi lo studio delle dinamiche connesse alle prime forme di storiografia legate alla revisione critica del patrimonio mitologico da parte degli storici arcaici in prima persona\u00a0 attraverso ricerche condotte il pi\u00f9 possibile attraverso le esperienze personali. <strong>(resp. Ennio Biondi)<\/strong><\/p>\n<\/div><\/div><\/div><\/div>\n\t\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-6\" data-row=\"script-row-unique-6\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-6\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row inverted-device-order has-bg need-focus style-accent-bg row-container\" id=\"row-unique-7\"><div class=\"row col-double-gutter single-top-padding single-bottom-padding single-h-padding limit-width row-parent\" data-height-ratio=\"35\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-middle pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-spec style-dark\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode_text_column text-lead\" ><p>Per approfondimenti su altre attivit\u00e0 di ricerca visita la sezione dedicata.<\/p>\n<\/div><span class=\"btn-container animate_when_almost_visible bottom-t-top\" ><a role=\"button\"  href=\"https:\/\/www.ispc.cnr.it\/it_it\/progetti\/\" class=\"custom-link btn border-width-0 btn-default btn-outline btn-icon-left\" target=\"_blank\">Progetti CNR ISPC<\/a><\/span><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-7\" data-row=\"script-row-unique-7\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-7\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-8\"><div class=\"row single-top-padding single-bottom-padding single-h-padding limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-6 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode_text_column text-lead\" ><\/p>\n<h3><strong>Principali collaborazioni<\/strong><\/h3>\n<p><strong>Enti<\/strong><\/p>\n<ul>\n<li>Association for Coroplastic Studies (AcoSt)<\/li>\n<li>Direzione regionale Musei del Lazio<\/li>\n<li>\u00c9cole fran\u00e7aise de Rome<\/li>\n<li>Institut National des Sciences de l\u2019Arch\u00e9ologie et du Patrimoine, Maroc<\/li>\n<li>Institute National du Patrimoine, Tunisie<\/li>\n<li>Istituto Archeologico Germanico, Roma<\/li>\n<li>Istituto nazionale di Studi Etruschi ed Italici, Firenze<\/li>\n<li>Ministry of Tourism and Antiquities, Egypt<\/li>\n<li>Parco archeologico di Morgantina e della villa romana del Casale di Piazza Armerina<\/li>\n<li>Parco archeologico di Siracusa, Eloro e Villa del Tellaro ed Akrai<\/li>\n<li>Parco archeologico greco romano di Catania e archeologico\/paesaggistico della Valle dell\u2019Aci<\/li>\n<li>Scuola Archeologica Italiana di Atene<\/li>\n<li>Soprintendenza Archeologia Belle Arti e Paesaggio dell\u2019area metropolitana di Roma e della Provincia di Rieti<\/li>\n<li>Soprintendenza Archeologia Belle Arti e Paesaggio dell\u2019Etruria meridionale e della Provincia di Viterbo<\/li>\n<li>Soprintendenza Archeologia Paesaggio e Belle Arti del Lazio<\/li>\n<li>Soprintendenza Archeologia, Belle Arti e Paesaggio Puglia<\/li>\n<li>Soprintendenza Beni Culturali e Ambientali, Agrigento<\/li>\n<li>Soprintendenza dell\u2019Attica Orientale, Grecia<\/li>\n<li>The British School at Rome<\/li>\n<\/ul>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-6 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"empty-space empty-single\" ><span class=\"empty-space-inner\"><\/span><\/div>\n<div class=\"uncode_text_column text-lead\" ><p><strong>Universit\u00e0 <\/strong><\/p>\n<ul>\n<li>Universit\u00e0 Kore, Enna<\/li>\n<li>Universit\u00e0 di Malaga<\/li>\n<\/ul>\n<p><strong>Musei<\/strong><\/p>\n<ul>\n<li>J. Paul Getty Museum, Los Angeles (USA)<\/li>\n<li>Museo del Louvre, Parigi<\/li>\n<li>Museo della Citt\u00e0 Metropolitana di Bari<\/li>\n<li>Museo di Belle Arti, Budapest<\/li>\n<li>Museo Nazionale Etrusco di Villa Giulia<\/li>\n<li>Polo Museale della Puglia<\/li>\n<\/ul>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-8\" data-row=\"script-row-unique-8\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-8\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-9\"><div class=\"row single-top-padding single-bottom-padding single-h-padding limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"divider-wrapper \"  >\n    <hr class=\"unseparator border-accent-color separator-no-padding\"  \/>\n<\/div>\n<div class=\"uncode_text_column text-lead\" ><\/p>\n<h3><strong>Principali pubblicazioni<\/strong><\/h3>\n<p class=\"p1\">L. Alberti, C. Paterna, L. Piccardi, <i>Eracle e le sue fatiche. L\u2019et\u00e0 del Bronzo greca raccontata da uno dei suoi protagonisti<\/i>, CNR Edizioni, Roma 2017.<\/p>\n<p class=\"p1\">V. Bellelli, <a href=\"https:\/\/bollettinodiarcheologiaonline.beniculturali.it\/wp-content\/uploads\/2019\/01\/4_BELLELLI.pdf\" target=\"_blank\" rel=\"noopener\"><span class=\"s1\"><i>L\u2019impatto del mito greco nell\u2019Etruria orientalizzante: la ceramica figurata<\/i>, in <i>Meetings between Cultures in the Ancient Mediterranean<\/i><\/span><\/a>, in <i>Atti del XVII Congresso internazionale di Archeologia classica (Roma 2008)<\/i>, \u201cBollettino di Archeologia on line\u201d, 1, 2010\/ Volume Speciale C\/C4\/4, 27-40.<\/p>\n<p class=\"p2\"><span class=\"s2\">G. Biondi, <a href=\"https:\/\/www.academia.edu\/1586938\/Eracle_e_Apollo_Sullinterpretazione_di_due_vasi_orientalizzanti_da_Aphrat%C3%AC\" target=\"_blank\" rel=\"noopener\"><span class=\"s3\"><i>Eracle e Apollo? Sull\u2019interpretazione di due vasi orientalizzanti da Aphrat\u00ec<\/i><\/span><\/a>, \u201cCronache di Archeologia\u201d, 33, 1994 (2002), 71-75.<\/span><\/p>\n<p class=\"p1\">F. Caruso, <i>Zeus <\/i>Peloros<i> e gli altri: un nuovo sguardo ai dipinti del &#8220;sacello pagano&#8221; nella catacomba di Santa Lucia a Siracusa<\/i>, in E.C. Portale, G. Galioto (eds.), <i>Scienza e archeologia. Un efficace connubio per la divulgazione della cultura scientifica, <\/i>Pisa 2007, 31-42.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p3\">M. Cultraro, <i>L\u2019anello di Minosse<\/i>, Milano 2001.<\/p>\n<p class=\"p1\">G. Garbati,<i> Tyre the Homeland: Carthage and Cadiz under the God\u2019s Eyes<\/i>, in G. Garbati, T. Pedrazzi (eds.), <i>Transformations and Crisis in the Mediterranean. \u201cIdentity\u201d and Interculturality in the Levant and Phoenician West during the 12th-8th centuries BCE. Proceedings of the International Conference held in Rome<\/i>, Pisa-Roma 2015 (Suppl. \u201cRivista di Studi Fenici\u201d), 197-208.<\/p>\n<p class=\"p1\">A.C. Montanaro, <i>Da guerrieri ad eroi immortali. Aristocrazie e segni del potere in Puglia e Basilicata tra VIII e V secolo a.C.<\/i>, in N. Negroni Catacchio (ed.), <i>Armarsi per comunicare con gli uomini e con gli dei.<\/i> <i>Le armi come strumenti di attacco e di difesa, status symbol e dono agli Dei<\/i>, <i>Atti del XIII Incontro di Preistoria e Protostoria in Etruria (Valentano, Pitigliano, Manciano 2016)<\/i>, Milano 2018, 631-668.<\/p>\n<p class=\"p1\">A. Pautasso, <i>Anakalypsis e Anakalypteria. Iconografie votive e culto nella Sicilia dionigiana<\/i>, in C.A. Di Stefano (ed.), <i>Demetra. La divinit\u00e0, i santuari, il culto, la leggenda<\/i>. <i>Primo Congresso Internazionale<\/i> <i>(Enna 2004)<\/i>, Pisa-Roma 2008, 285-291.<\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-9\" data-row=\"script-row-unique-9\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-9\"));<\/script><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Mediterraneo dei miti | Gruppo di Ricerca Il gruppo di ricerca nasce dalla convergenza dei percorsi di studio di alcuni 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