{"id":3793,"date":"2020-07-01T19:18:04","date_gmt":"2020-07-01T17:18:04","guid":{"rendered":"http:\/\/www.ispc.cnr.it\/?p=3793"},"modified":"2024-01-11T17:10:21","modified_gmt":"2024-01-11T16:10:21","slug":"science-and-art-the-contemporary-painted-surface","status":"publish","type":"post","link":"https:\/\/www.ispc.cnr.it\/en\/2020\/07\/01\/science-and-art-the-contemporary-painted-surface\/","title":{"rendered":"Science and Art: The Contemporary Painted Surface"},"content":{"rendered":"

Cover<\/h2>
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Preface<\/h2>
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Science and Art: The Contemporary Painted Surface<\/h1>\n

Editors: Antonio Sgamellotti, Brunetto Giovanni Brunetti, Costanza Miliani<\/p>\n<\/div><\/div>

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Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future.<\/p>\n

Following on from the 2014 title Science and Art: The Painted Surface<\/strong>, this book consists of a series of chapters written together by scientists, art historians, conservators, curators and artists dedicated to conservation, execution techniques, languages and conceptual topics. Science and Art: The Contemporary Painted Surface<\/strong> largely covers execution techniques, material\u0092s conservation and languages of artists, representative of twelve different countries, all protagonists of the development of innovative significant techniques and methodologies.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>