{"id":22578,"date":"2025-10-29T09:00:35","date_gmt":"2025-10-29T08:00:35","guid":{"rendered":"https:\/\/www.ispc.cnr.it\/?p=22578"},"modified":"2025-10-28T14:40:11","modified_gmt":"2025-10-28T13:40:11","slug":"arezzo-celebra-margarito-tre-giornate-di-studio-sullarte-del-duecento","status":"publish","type":"post","link":"https:\/\/www.ispc.cnr.it\/en\/2025\/10\/29\/arezzo-celebra-margarito-tre-giornate-di-studio-sullarte-del-duecento\/","title":{"rendered":"Arezzo celebra Margarito: tre giornate di studio sull\u2019arte del Duecento"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-0\"><div class=\"row double-top-padding single-bottom-padding single-h-padding limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell\" ><div class=\"uncont no-block-padding col-custom-width\" style=\" max-width:804px;\" ><div class=\"vc_custom_heading_wrap\"><div class=\"heading-text el-text\" ><\/p>\n<h1>Arezzo celebra Margarito: tre giornate di studio sull\u2019arte del Duecento<\/h1>\n<p>\n<\/div><div class=\"clear\"><\/div><\/div><div class=\"vc_row row-internal row-container\"><div class=\"row row-child\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_child col-lg-6 single-internal-gutter\"><div class=\"uncol style-light\" ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode_text_column text-lead text-color-176961-color\" ><p>Tre giornate di studio, ricerca e confronto interdisciplinare dedicate a uno dei protagonisti pi\u00f9 affascinanti e ancora in parte enigmatici della pittura italiana del XIII secolo: <strong>Margarito d\u2019Arezzo<\/strong>.<\/p>\n<\/div><div class=\"uncode_text_column\" ><p>Il convegno internazionale <strong>DUECENTO Painting. The art and technique of Margarito d\u2019Arezzo and his contemporaries<\/strong> ha riunito ad Arezzo, dal 9 all\u201911 ottobre 2025, storici dell\u2019arte, conservatori e scienziati del patrimonio provenienti da alcune delle pi\u00f9 autorevoli istituzioni europee e statunitensi, tra cui la <strong>National Gallery di Londra<\/strong>, la <strong>National Gallery of Art di Washington<\/strong>, la <strong>Scuola universitaria professionale della Svizzera italiana (SUPSI)<\/strong> e gli Istituti <strong>ISPC e SCITEC<\/strong> of <strong>Consiglio Nazionale delle Ricerche (CNR)<\/strong>, insieme al <strong>Museo Nazionale d\u2019Arte Medievale e Moderna di Arezzo (MNAMM)<\/strong>, promotore dell\u2019iniziativa.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"wpb_column pos-top pos-center align_left column_child col-lg-6 single-internal-gutter\"><div class=\"uncol style-light\" ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div id=\"gallery-166458\" class=\"un-media-gallery isotope-system isotope-general-light grid-general-light\">\n\t\t\t\t\t\n\t\n\t<div class=\"isotope-wrapper grid-wrapper single-gutter\" >\n\t\t\t\t\t\t\t\t\t<div class=\"isotope-container isotope-layout style-masonry\" data-type=\"masonry\" data-layout=\"masonry\" data-lg=\"1000\" data-md=\"600\" data-sm=\"480\">\n<div class=\"tmb tmb-iso-w6 tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-bordered tmb-id-22582  tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg tmb-lightbox\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 142%;\"><\/div><a href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/Duecento-painting_Margarito-dArezzo_Flyer-copia.jpg\"  class=\"pushed\" data-active=\"1\" data-lbox=\"ilightbox_gallery-166458\" data-options=\"width:419,height:595,thumbnail: 'https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/Duecento-painting_Margarito-dArezzo_Flyer-copia-211x300.jpg'\" data-lb-index=\"0\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.5;\"><\/div><\/div><img decoding=\"async\" class=\"wp-image-22582\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/Duecento-painting_Margarito-dArezzo_Flyer-copia.jpg\" width=\"419\" height=\"595\" alt=\"\" srcset=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/Duecento-painting_Margarito-dArezzo_Flyer-copia.jpg 419w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/Duecento-painting_Margarito-dArezzo_Flyer-copia-211x300.jpg 211w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/Duecento-painting_Margarito-dArezzo_Flyer-copia-8x12.jpg 8w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/Duecento-painting_Margarito-dArezzo_Flyer-copia-350x497.jpg 350w\" sizes=\"(max-width: 419px) 100vw, 419px\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\t\n\t\n<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"uncode_text_column\" ><p>Il convegno ha rappresentato il punto di arrivo di un articolato progetto di ricerca pluriennale che, attraverso l\u2019integrazione di studi storico-artistici e analisi diagnostiche all\u2019avanguardia, ha esplorato i materiali, le tecniche e i processi esecutivi dei dipinti di Margarito e del suo contesto artistico.<\/p>\n<p>Grazie all\u2019utilizzo di tecniche non invasive come la spettroscopia di riflettanza iperspettrale (RIS), la fluorescenza a raggi X macro (MA-XRF) e la diffrazione di raggi X (XRD), \u00e8 stato possibile indagare in profondit\u00e0 le opere del maestro, restituendo dati inediti sulla struttura delle tavole, sui pigmenti, sui leganti organici e sulle modalit\u00e0 di applicazione delle dorature.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-0\" data-row=\"script-row-unique-0\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-0\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-1\"><div class=\"row one-top-padding one-bottom-padding single-h-padding full-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"un-media-gallery owl-carousel-wrapper\">\n\t\t\n\t\n\t<div class=\"owl-carousel-container owl-carousel-loading single-gutter\" >\n\t\t\t\t\t\t\t\t\t<div id=\"gallery-111827098\" class=\"owl-carousel owl-element owl-height-auto owl-dots-outside owl-dots-single-block-padding owl-dots-align-center\" data-dots=\"true\" data-navmobile=\"false\" data-navspeed=\"400\" data-autoplay=\"true\" data-timeout=\"3000\" data-stagepadding=\"0\" data-lg=\"3\" data-md=\"3\" data-sm=\"1\">\n<div class=\"tmb tmb-carousel tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-bordered tmb-id-22585  tmb-img-ratio tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg tmb-lightbox\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 66.7%;\"><\/div><a href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/01.-Molab_E-RIHS-Arezzeo_2025.jpg\"  class=\"pushed\" data-caption=\"Le tre tavole di Margarito conservate al MNAMM di Arezzo: la Madonna di Montelungo e i due San Francesco provenienti dai conventi di Ganghereto e Sargiano | \u00a9 CNR ISPC\" data-dir=\"vertical\" data-lbox=\"ilightbox_gallery-111827098\" data-options=\"width:1440,height:1918,thumbnail: 'https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/01.-Molab_E-RIHS-Arezzeo_2025-225x300.jpg'\" data-lb-index=\"0\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.5;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt\">Le tre tavole di Margarito conservate al MNAMM di Arezzo: la Madonna di Montelungo e i due San Francesco provenienti dai conventi di Ganghereto e Sargiano | \u00a9 CNR ISPC<\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-22585\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/01.-Molab_E-RIHS-Arezzeo_2025-uai-1440x960.jpg\" width=\"1440\" height=\"960\" alt=\"Le tre tavole di Margarito conservate al MNAMM di Arezzo: la Madonna di Montelungo e i due San Francesco provenienti dai conventi di Ganghereto e Sargiano | \u00a9 CNR ISPC\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><div class=\"tmb tmb-carousel tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-bordered tmb-id-22587  tmb-img-ratio tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg tmb-lightbox\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 66.7%;\"><\/div><a href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/02.-Molab_E-RIHS-Arezzeo_2025-scaled.jpg\"  class=\"pushed\" data-caption=\"Le indagini non invasive del laboratorio mobile MOLAB di E-RIHS.it, il nodo italiano dell\u2019European Research Infrastructure for Heritage Science (E-RIHS) al Museo Nazionale d\u2019Arte Medievale e Moderna di Arezzo (MNAMM) | \u00a9 CNR ISPC\" data-dir=\"vertical\" data-lbox=\"ilightbox_gallery-111827098\" data-options=\"width:2560,height:1707,thumbnail: 'https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/02.-Molab_E-RIHS-Arezzeo_2025-300x200.jpg'\" data-lb-index=\"1\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.5;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt\">Le indagini non invasive del laboratorio mobile MOLAB di E-RIHS.it, il nodo italiano dell\u2019European Research Infrastructure for Heritage Science (E-RIHS) al Museo Nazionale d\u2019Arte Medievale e Moderna di Arezzo (MNAMM) | \u00a9 CNR ISPC<\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-22587\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/02.-Molab_E-RIHS-Arezzeo_2025-scaled.jpg\" width=\"2560\" height=\"1707\" alt=\"Le indagini non invasive del laboratorio mobile MOLAB di E-RIHS.it, il nodo italiano dell\u2019European Research Infrastructure for Heritage Science (E-RIHS) al Museo Nazionale d\u2019Arte Medievale e Moderna di Arezzo (MNAMM) | \u00a9 CNR ISPC\" srcset=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/02.-Molab_E-RIHS-Arezzeo_2025-scaled.jpg 2560w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/02.-Molab_E-RIHS-Arezzeo_2025-300x200.jpg 300w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/02.-Molab_E-RIHS-Arezzeo_2025-1024x683.jpg 1024w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/02.-Molab_E-RIHS-Arezzeo_2025-768x512.jpg 768w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/02.-Molab_E-RIHS-Arezzeo_2025-1536x1024.jpg 1536w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/02.-Molab_E-RIHS-Arezzeo_2025-2048x1365.jpg 2048w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/02.-Molab_E-RIHS-Arezzeo_2025-18x12.jpg 18w, https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/02.-Molab_E-RIHS-Arezzeo_2025-350x233.jpg 350w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><div class=\"tmb tmb-carousel tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-bordered tmb-id-22588  tmb-img-ratio tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg tmb-lightbox\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 66.7%;\"><\/div><a href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/03.-Molab_E-RIHS-Arezzeo_2025-scaled.jpg\"  class=\"pushed\" data-caption=\"Le indagini non invasive del laboratorio mobile MOLAB di E-RIHS.it, il nodo italiano dell\u2019European Research Infrastructure for Heritage Science (E-RIHS) al Museo Nazionale d\u2019Arte Medievale e Moderna di Arezzo (MNAMM) | \u00a9 CNR ISPC\" data-dir=\"vertical\" data-lbox=\"ilightbox_gallery-111827098\" data-options=\"width:1920,height:2560,thumbnail: 'https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/03.-Molab_E-RIHS-Arezzeo_2025-225x300.jpg'\" data-lb-index=\"2\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.5;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt\">Le indagini non invasive del laboratorio mobile MOLAB di E-RIHS.it, il nodo italiano dell\u2019European Research Infrastructure for Heritage Science (E-RIHS) al Museo Nazionale d\u2019Arte Medievale e Moderna di Arezzo (MNAMM) | \u00a9 CNR ISPC<\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-22588\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/03.-Molab_E-RIHS-Arezzeo_2025-scaled-uai-1920x1280.jpg\" width=\"1920\" height=\"1280\" alt=\"Le indagini non invasive del laboratorio mobile MOLAB di E-RIHS.it, il nodo italiano dell\u2019European Research Infrastructure for Heritage Science (E-RIHS) al Museo Nazionale d\u2019Arte Medievale e Moderna di Arezzo (MNAMM) | \u00a9 CNR ISPC\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><div class=\"tmb tmb-carousel tmb-iso-h4 tmb-light tmb-overlay-text-anim tmb-overlay-anim tmb-overlay-middle tmb-overlay-text-left tmb-image-anim tmb-bordered tmb-id-22589  tmb-img-ratio tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg tmb-lightbox\" ><div class=\"t-inside no-anim\" ><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"t-entry-visual-cont\"><div class=\"dummy\" style=\"padding-top: 66.7%;\"><\/div><a href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/Duecento-painting.jpeg\"  class=\"pushed\" data-caption=\"Un momento del convegno internazionale \"duecento painting. the art and technique of margarito d\u2019arezzo his contemporaries\", 9 - 11 ottobre 2025, museo nazionale d\u2019arte medievale e moderna di arezzo (mnamm) | \u00a9 cnr ispc\" data-dir =\"vertical\" data-lbox=\"ilightbox_gallery-111827098\" data-options=\"width:1504,height:846,thumbnail: 'https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/Duecento-painting-300x169.jpeg'\" data-lb-index=\"3\"><div class=\"t-entry-visual-overlay\"><div class=\"t-entry-visual-overlay-in style-dark-bg\" style=\"opacity: 0.5;\"><\/div><\/div><div class=\"t-overlay-wrap\"><div class=\"t-overlay-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"t-overlay-text single-block-padding\"><div class=\"t-entry\"><p class=\"t-entry-excerpt\">Un momento del convegno internazionale \"DUECENTO Painting. The art and technique of Margarito d\u2019Arezzo and his contemporaries\", 9 - 11 ottobre 2025, Museo Nazionale d\u2019Arte Medievale e Moderna di Arezzo (MNAMM) |  \u00a9 CNR ISPC<\/p><\/div><\/div><\/div><\/div><\/div><img decoding=\"async\" class=\"wp-image-22589\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2025\/10\/Duecento-painting-uai-1269x846.jpeg\" width=\"1269\" height=\"846\" alt=\"Un momento del convegno internazionale \"duecento painting. the art and technique of margarito d\u2019arezzo his contemporaries\", 9 - 11 ottobre 2025, museo nazionale d\u2019arte medievale e moderna di arezzo (mnamm) | \u00a9 cnr ispc\" \/><\/a><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\t\n\t\n<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-1\" data-row=\"script-row-unique-1\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-1\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-2\"><div class=\"row double-top-padding single-bottom-padding single-h-padding limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell\" ><div class=\"uncont no-block-padding col-custom-width\" style=\" max-width:804px;\" ><div class=\"uncode_text_column\" ><p>Tra i casi studio al centro delle ricerche spiccano le tre tavole di Margarito conservate al MNAMM di Arezzo, la <strong>Madonna di Montelungo<\/strong> e i due <strong>San Francesco provenienti dai conventi di Ganghereto e Sargiano<\/strong>, e il grande dossale del <strong>Santuario delle Vertighe<\/strong>, analizzato in situ grazie al laboratorio mobile <strong>MOLAB <\/strong>di <a href=\"https:\/\/www.e-rihs.it\/\" target=\"_blank\" rel=\"noopener\">E-RIHS.it<\/a>, il nodo italiano\u00a0dell\u2019<a href=\"https:\/\/www.e-rihs.eu\/\" target=\"_blank\" rel=\"noopener\">European Research Infrastructure for Heritage Science (E-RIHS)<\/a>. Le indagini hanno permesso di mettere in relazione queste opere con i dipinti custoditi alla National Gallery di Londra e alla National Gallery of Art di Washington, rivelando sorprendenti analogie tecniche e cromatiche e aprendo nuove prospettive sulla pratica di bottega di Margarito e dei suoi collaboratori.<\/p>\n<\/div><div class=\"uncode_text_column\" ><p>Le sessioni del convegno hanno spaziato dalle indagini diagnostiche ai temi storico-artistici e iconografici, con contributi che affrontano anche il significato e la funzione delle tavole francescane, la circolazione dei modelli bizantini nell\u2019Italia del Duecento, i rapporti tra pittura, scultura e arti applicate, e l\u2019evoluzione delle immagini devozionali nel contesto religioso e culturale del tempo.<\/p>\n<p>Un ruolo centrale \u00e8 riservato inoltre alle ricerche sulla <strong>Madonna di Santa Maria in Valle a Laterina<\/strong>, che ha portato alla ricostruzione ipotetica dell\u2019aspetto originario del dipinto grazie alla combinazione di analisi scientifiche e osservazioni storico-artistiche.<\/p>\n<\/div><div class=\"uncode_text_column\" ><p>Attraverso questo confronto transdisciplinare, la conferenza ha restituito una visione nuova e dinamica dell\u2019arte del XIII secolo, svelando il ruolo di Margarito d\u2019Arezzo come ponte tra la tradizione bizantina e le innovazioni formali che anticipano la grande stagione della pittura trecentesca.<\/p>\n<\/div><div class=\"divider-wrapper\"  >\n    <hr class=\"unseparator separator-no-padding\"  \/>\n<\/div>\n<div class=\"uncode_text_column\" ><\/p>\n<h3>More info<\/h3>\n<p><a href=\"https:\/\/www.supsi.ch\/en\/la-pittura-del-duecento-l-arte-e-la-tecnica-di-margarito-d-arezzo-e-dei-suoi-contemporanei\" target=\"_blank\" rel=\"noopener\">DUECENTO painting | 9 &#8211; 11 ottobre 2025 | Arezzo<\/a> \u2192<\/p>\n<\/div><div class=\"uncode-wrapper uncode-share\" ><hr class=\"separator-break separator-accent\" \/><div class=\"share-button share-buttons share-inline share-bigger only-icon\" data-url=\"\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-2\" data-row=\"script-row-unique-2\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-2\"));<\/script><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Arezzo celebra Margarito: tre giornate di studio sull\u2019arte del Duecento Tre giornate di studio, ricerca e confronto interdisciplinare dedicate a [...]","protected":false},"author":10,"featured_media":22586,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[153],"tags":[],"research-field":[],"research_field_news":[],"project_status_eu":[],"project_status_na":[],"project_status_reg":[],"project_status_field":[],"project_status_international":[],"class_list":["post-22578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Arezzo celebra Margarito: tre giornate di studio sull\u2019arte del Duecento | Istituto di Scienze del Patrimonio Culturale<\/title>\n<meta name=\"description\" content=\"Tre giornate di studio, ricerca e confronto interdisciplinare dedicate a uno dei protagonisti pi\u00f9 affascinanti e ancora in parte enigmatici della pittura italiana del XIII 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