{"id":20271,"date":"2024-10-15T11:27:01","date_gmt":"2024-10-15T09:27:01","guid":{"rendered":"https:\/\/www.ispc.cnr.it\/?p=20271"},"modified":"2025-04-09T12:23:28","modified_gmt":"2025-04-09T10:23:28","slug":"la-lauda-come-osservatorio-privilegiato-del-rapporto-tra-musica-e-poesia-nel-medioevo-italiano","status":"publish","type":"post","link":"https:\/\/www.ispc.cnr.it\/en\/2024\/10\/15\/la-lauda-come-osservatorio-privilegiato-del-rapporto-tra-musica-e-poesia-nel-medioevo-italiano\/","title":{"rendered":"La lauda come osservatorio privilegiato del rapporto tra musica e poesia nel medioevo italiano"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div data-parent=\"true\" class=\"vc_row has-bg need-focus style-color-xsdn-bg row-container with-parallax\" id=\"row-unique-0\"><div class=\"row-background background-element\">\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"background-wrapper\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"background-inner\" style=\"background-image: url(https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2024\/04\/elemento-grafico-archeologica-dell-parformance_orizzontale.png);background-repeat: no-repeat;background-position: center center;background-size: cover;\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<\/div><div class=\"row double-top-padding double-bottom-padding single-h-padding limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-light animate_when_almost_visible bottom-t-top\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-0\" data-row=\"script-row-unique-0\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-0\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-1\"><div class=\"row single-top-padding single-bottom-padding single-h-padding limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-8 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode_text_column\" ><\/p>\n<h2><span style=\"color: #13025f;\">La lauda come osservatorio privilegiato del rapporto tra musica e poesia nel medioevo italiano<\/span><\/h2>\n<p><strong>Invited Speaker Francesco Zimei | Universit\u00e0 di Trento<\/strong><\/p>\n<p><strong>a cura di Angela Bellia e Gemma T. Colesanti | CNR ISPC<\/strong><\/p>\n<p>Il prossimo appuntamento della serie di incontri vedr\u00e0 Angela Bellia e Gemma T. Colesanti (CNR ISPC) dialogare con <strong>Francesco Zimei<\/strong>, professore <span class=\"NormalTextRun SCXW29159227 BCX0\">ordinario<\/span><span class=\"NormalTextRun SCXW29159227 BCX0\"> di <\/span><span class=\"NormalTextRun SCXW29159227 BCX0\">M<\/span><span class=\"NormalTextRun SCXW29159227 BCX0\">usicologia <\/span><span class=\"NormalTextRun SCXW29159227 BCX0\">e Storia della musica<\/span> <span class=\"NormalTextRun SCXW29159227 BCX0\">al<\/span><span class=\"NormalTextRun SCXW29159227 BCX0\">l<\/span><span class=\"NormalTextRun SCXW29159227 BCX0\">\u2019<\/span><span class=\"NormalTextRun SCXW29159227 BCX0\">Universit\u00e0 di Trento e<\/span> Principal Investigator del progetto europeo <strong>LAUDARE &#8211; The Italian Lauda: Disseminating Poetry and Concepts Through Melody (12th-16th centuries)<\/strong> finanziato dallo <a href=\"https:\/\/erc.europa.eu\/homepage\" target=\"_blank\" rel=\"noopener\">European Research Council<\/a> (ERC Advanced Grant: 101054750).<\/p>\n<p>Nel corso dell\u2019incontro l&#8217;<span class=\"NormalTextRun SpellingErrorV2Themed SpellingErrorHighlight SCXW70282997 BCX0\">invited<\/span><span class=\"NormalTextRun SCXW70282997 BCX0\"> speaker <\/span>Francesco Zimei si soffermer\u00e0 sulla lauda, genere poetico-musicale che, a partire dalla seconda met\u00e0 del XII secolo, segn\u00f2 la nascita e la diffusione del canto in lingua italiana.<\/p>\n<p><strong><a href=\"https:\/\/laudare.eu\/\" target=\"_blank\" rel=\"noopener\">Il progetto ERC Advanced Grant LAUDARE<\/a> \u2192<\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-4 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode_text_column\" ><\/p>\n<h3><span style=\"color: #13025f;\"><span class=\"TextRun SCXW167374313 BCX0\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW167374313 BCX0\">29 ottobre<\/span><\/span> 2024 | ore 16:00<\/span><\/h3>\n<p><strong>In presenza | NAPOLI, CNR ISPC sede centrale, via Cardinale Guglielmo Sanfelice 8<\/strong><\/p>\n<p><strong>Online | Piattaforma Microsoft teams<\/strong><\/p>\n<\/div><span class=\"btn-container animate_when_almost_visible bottom-t-top\" ><a role=\"button\"  href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2024\/10\/Archeologia-della-performance_programma-29-OTT-2024.pdf\" class=\"custom-link btn border-width-0 btn-default btn-outline btn-icon-right\" target=\"_blank\">Program<i class=\"fa fa-arrow-right2\"><\/i><\/a><\/span><span class=\"btn-container animate_when_almost_visible bottom-t-top\" ><a role=\"button\"  href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2024\/10\/Archeologia-della-performance_save-the-date_29-10-2024.pdf\" class=\"custom-link btn border-width-0 btn-default btn-outline btn-icon-right\" target=\"_blank\">Save the date<i class=\"fa fa-arrow-right2\"><\/i><\/a><\/span><span class=\"btn-container animate_when_almost_visible bottom-t-top\" ><a role=\"button\"  href=\"https:\/\/teams.microsoft.com\/dl\/launcher\/launcher.html?url=%2F_%23%2Fl%2Fmeetup-join%2F19%3Ameeting_NjQ1NDk1MTctNDliMy00Mjk5LThkYTgtY2Q4MTVhNzIxZDg1%40thread.v2%2F0%3Fcontext%3D%257b%2522Tid%2522%253a%252234c64e9f-d27f-4edd-a1f0-1397f0c84f94%2522%252c%2522Oid%2522%253a%252203fd03aa-c690-4643-9767-8b38de8ee391%2522%257d%26anon%3Dtrue&type=meetup-join&deeplinkId=a4b23b09-3341-42a7-bd73-56124e176a70&directDl=true&msLaunch=true&enableMobilePage=true&suppressPrompt=true\" class=\"custom-link btn border-width-0 btn-default btn-outline btn-icon-right\" target=\"_blank\">Online streaming<i class=\"fa fa-arrow-right2\"><\/i><\/a><\/span><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-1\" data-row=\"script-row-unique-1\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-1\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-2\"><div class=\"row limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode-wrapper uncode-share\" ><div class=\"share-button share-buttons share-inline share-bigger only-icon\" data-url=\"\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-2\" data-row=\"script-row-unique-2\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-2\"));<\/script><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"La lauda come osservatorio privilegiato del rapporto tra musica e poesia nel medioevo italiano Invited Speaker Francesco Zimei | Universit\u00e0 [...]","protected":false},"author":10,"featured_media":20275,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"categories":[841],"tags":[],"research-field":[],"research_field_news":[],"project_status_eu":[],"project_status_na":[],"project_status_reg":[],"project_status_field":[],"project_status_international":[],"class_list":["post-20271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aural-archeologia-della-performance"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La lauda come osservatorio privilegiato del rapporto tra musica e poesia nel medioevo italiano | Istituto di Scienze del Patrimonio Culturale<\/title>\n<meta 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