{"id":20252,"date":"2024-06-27T11:02:00","date_gmt":"2024-06-27T09:02:00","guid":{"rendered":"https:\/\/www.ispc.cnr.it\/?p=20252"},"modified":"2024-10-30T15:54:30","modified_gmt":"2024-10-30T14:54:30","slug":"acoustics-and-heritage-new-methodologies-for-preservation-and-sound-reconstruction","status":"publish","type":"post","link":"https:\/\/www.ispc.cnr.it\/en\/2024\/06\/27\/acoustics-and-heritage-new-methodologies-for-preservation-and-sound-reconstruction\/","title":{"rendered":"Acoustics and Heritage: New Methodologies for Preservation and Sound Reconstruction"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div data-parent=\"true\" class=\"vc_row has-bg need-focus style-color-xsdn-bg row-container with-parallax\" id=\"row-unique-0\"><div class=\"row-background background-element\">\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"background-wrapper\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"background-inner\" style=\"background-image: url(https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2024\/03\/Banner_AURAL-Event-series_2024_onda.png);background-repeat: no-repeat;background-position: center center;background-size: cover;\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<\/div><div class=\"row double-top-padding double-bottom-padding single-h-padding limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-light animate_when_almost_visible bottom-t-top\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-0\" data-row=\"script-row-unique-0\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-0\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-1\"><div class=\"row single-top-padding single-bottom-padding single-h-padding limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-6 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode_text_column\" ><p><strong>Second event\u00a0<\/strong><\/p>\n<h3><span style=\"color: #3d6cff;\">July 12, 2024 | h 4 pm (CSET)<\/span><\/h3>\n<p><strong>Online | Zoom platform<\/strong><\/p>\n<h3><span style=\"color: #3d6cff;\">Antonella Bevilacqua<\/span><\/h3>\n<h4>Acoustics and Heritage: New Methodologies for Preservation and Sound Reconstruction<\/h4>\n<p>\n<\/div><div class=\"uncode-accordion wpb_accordion wpb_content_element  sign-size-rg w-border\" data-collapsible=\"no\" data-target=\"\" data-active-tab=\"0\" >\n\t\t<div class=\"panel-group wpb_wrapper wpb_accordion_wrapper\" id=\"accordion_2041889971\" data-no-toggle=\"\">\n\n<div class=\"panel panel-default wpb_accordion_section group  no-block-padding\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_2041889971\" href=\"#1709805688-1-3817193101172581730109007000\" data-tab-history=\"true\" data-tab-history-changer=\"push\" data-tab-history-update-url=\"true\"><span>More info<\/span><\/a><\/p><\/div><div data-id=\"1709805688-1-3817193101172581730109007000\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>The auralization and the acoustic spatialization are topics widely under discussion in the latest decades, in line with the advancements of technology. The 3D virtual reconstruction of both natural and architectural environments represented an alternative methodology to the restrictions of the pandemic. As such, the employment of multichannel microphones and loudpeakers, characterised by a spherical array, are the tools that helped to develop the audio-video virtual reproduction of artistic performances. In this seminary, the innovative methodologies and their functionality in the field of acoustics are explained, with practical applications carried out in Roman theatres and amphitheatres. The architectural findings for the original-shaped Roman theatres launch a warning on the state of degradation of the existing ancient heritage buildings. A final soundscape reconstruction of the real life conducted by gladiators is briefly described with sounds.<\/p>\n<\/div><\/div><\/div><\/div><div class=\"panel panel-default wpb_accordion_section group  no-block-padding\"><div class=\"panel-heading wpb_accordion_header ui-accordion-header\"><p class=\"panel-title font-weight- text-   icon-size-rg\"><a data-toggle=\"collapse\" data-parent=\"#accordion_2041889971\" href=\"#1709805688-2-6617193101172581730109007000\" data-tab-history=\"true\" data-tab-history-changer=\"push\" data-tab-history-update-url=\"true\"><span>Short Bio<\/span><\/a><\/p><\/div><div data-id=\"1709805688-2-6617193101172581730109007000\" class=\"panel-collapse collapse\"><div class=\"panel-body wpb_accordion_content ui-accordion-content half-internal-gutter single-block-padding\">\n\t\t\t\t\t\t<div class=\"uncode_text_column\" ><p>Antonella Bevilacqua<\/p>\n<p>Antonella Bevilacqua completed her master&#8217;s degree in Architecture and Construction Engineering at the University of Parma. In the same city, she completed a master&#8217;s degree in Music Performance &#8211; Saxophone, taken at the Conservatoire &#8220;Arrigo Boito&#8221;. After these experiences, she continued her studies in Acoustics and Noise Control at the London South Bank University (LSBU). The combination of technical and artistic knowledge is the basis on which Antonella developed her experience in different fields of acoustics, going from environmental noise assessment of refineries and large electric power stations to airports and railways stations. The real passion remains the room acoustics, especially applied to complex geometric volumes like opera theatres, ancient open-air theatres and concert halls. Her interest is now focused on the virtual reconstruction and auralization of historical places, as world heritage patrimony.<\/p>\n<\/div><\/div><\/div><\/div>\n\t\t<\/div><\/div><span class=\"btn-container animate_when_almost_visible bottom-t-top\" ><a role=\"button\"  href=\"https:\/\/www.eventbrite.it\/e\/aural-architecture-and-heritage-science-tickets-860638461807?aff=oddtdtcreator\" class=\"custom-link btn border-width-0 btn-default btn-outline btn-icon-right\" target=\"_blank\">Register here<i class=\"fa fa-arrow-right2\"><\/i><\/a><\/span><span class=\"btn-container animate_when_almost_visible bottom-t-top\" ><a role=\"button\"  href=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2024\/06\/AURAL-Event-series_12-07-2024_Antonella-Bevilacqua.pdf\" class=\"custom-link btn border-width-0 btn-default btn-outline btn-icon-right\" target=\"_blank\">Save the date<i class=\"fa fa-arrow-right2\"><\/i><\/a><\/span><\/div><\/div><\/div><\/div><\/div><div class=\"wpb_column pos-middle pos-center align_left column_parent col-lg-6 single-internal-gutter\"><div class=\"uncol style-spec style-dark animate_when_almost_visible right-t-left\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode-single-media  text-left\"><div class=\"single-wrapper\" style=\"max-width: 100%;\"><div class=\"tmb tmb-light  tmb-media-first tmb-media-last tmb-content-overlay tmb-no-bg\"><div class=\"t-inside\"><div class=\"t-entry-visual\"><div class=\"t-entry-visual-tc\"><div class=\"uncode-single-media-wrapper\"><img decoding=\"async\" class=\"wp-image-18840\" src=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2024\/03\/Guest-speaker_AURAL-Event-series_2024_elemento-grafico_sito-web.png\" width=\"1620\" height=\"1620\" alt=\"\" srcset=\"https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2024\/03\/Guest-speaker_AURAL-Event-series_2024_elemento-grafico_sito-web.png 1620w, 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https:\/\/www.ispc.cnr.it\/wp-content\/uploads\/2024\/03\/Guest-speaker_AURAL-Event-series_2024_elemento-grafico_sito-web-348x348.png 348w\" sizes=\"(max-width: 1620px) 100vw, 1620px\" \/><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-1\" data-row=\"script-row-unique-1\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-1\"));<\/script><\/div><\/div><\/div><div data-parent=\"true\" class=\"vc_row row-container\" id=\"row-unique-2\"><div class=\"row limit-width row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode-wrapper uncode-share\" ><div class=\"share-button share-buttons share-inline share-bigger only-icon\" data-url=\"\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-2\" data-row=\"script-row-unique-2\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-2\"));<\/script><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Second event\u00a0 July 12, 2024 | h 4 pm (CSET) Online | Zoom platform Antonella Bevilacqua Acoustics and Heritage: New [...]","protected":false},"author":10,"featured_media":20282,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[840],"tags":[],"research-field":[],"research_field_news":[],"project_status_eu":[],"project_status_na":[],"project_status_reg":[],"project_status_field":[],"project_status_international":[],"class_list":["post-20252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aural-event-series"],"yoast_head":"<!-- This site is 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